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IL DIVO

Il Divo

Italy 2008

DIRECTOR

Paolo Sorrentino

INTERPRETERS

Toni Servillo Carlo Buccirosso, Anna Bonaiuto, Flavio Bucci

SCREENPLAY

Paolo Sorrentino

Among the possible titles for the film that he wanted to make up Sorrentino Andreotti, always inspired by the many nicknames of the Italian Parliament, was that of Beelzebub . It would not be not bad considering that the character was a truccatissimo and impassive Toni Servillo has staged almost demonic features, although more limited grotesque irony of the author Naples. It appears that the visible reference in the film that ricondurrebbero to Nosferatu and Pinhead of Hellraiser are completely random, and Sorrentino's will was to be sealed to the reality show despite this many bizarre characteristics of the protagonist, but it is undeniable that the movements of Servillo / Andreotti have the disturbing. The film speaks especially of the seventh Andreotti government, and then the fall of an empire that lasted decades of Italian history. Technically impeccable, strong technical support from the Director Cinematographer Luca Bigazzi, directed a spectacle of events, often shown with a surprising iconography. Andreotti is haunted by a veiled remorse for the death of Moro and what his image means in respect of the Mafia trials. The ambivalence between a cold and calculating Andreotti and his hidden humanity becomes the true subject of the film. In a dreamlike Sorrentino imagine that Andreotti confessed that his actions are such as to maintain a status quo, a balance that keeps the evil by the State above all else. Here, the ambiguity between good and evil becomes the very essence of the character Andreotti, his conviction that moves through the divine will, which is guardian and servant. Moreover Divo comes from "divine".

Gianluigi Perrone

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SPEED RACER IRON MAN

Speed \u200b\u200bRacer

USA 2008

DIRECTOR

Andy Wachowski and Larry Wachowski

INTERPRETERS

Emile Hirsch, Susan Sarandon, John Goodman, Christina Ricci, Matthew Fox, Moritz Bleibtreu and Rain

SCREENPLAY

Andy Wachowski and Larry Wachowski

's weird to go see a movie, have it pleasure from time to time just for the sake of Pro sound and then Pop find that the film is one of the biggest flop in movie history. There's like a curse that is common to the failure of the film lover niche. Because for better or for worse this Speed \u200b\u200bRacer is the best work of "brother" and "sister" Wachowski, but strangely also their biggest misjudgment. Yet it was a really stacks up for the pleasure of women and girls. An ultra kaleidoscope of different colors and shit devoted to the culture of the soul. But the return of great American cinema busy (well rewarded at the box office) there is no space for a blockbuster? Where are the myriads of pimply kids in a row with eight pounds of popcorn to see the latest marvel of American industry. And while on one hand the "people" has the subtlety to get to meditate also of the highest works, on the other we are not the crumbs of what once could call a quick redesign of our memory. Then you could say that Speed \u200b\u200bRacer is a movie for film buffs or edible film only for those who at the time of the TV Anime and acronyms lived with the heart and head. It reverses the world, but the opinion does not change: the Wachowski films is amazing. A caramel fruttatone Anime and family values \u200b\u200bthat can not wait to be home already. So let us leave aside for a good time at home packs of aspirin and do of evil. Migraine is a just punishment for having assisted for two hours at an atomic explosion of colors, lights and sounds before returning to live in what many seriously literary in common with a gray scale. We like? Maybe not, we prefer to imagine the film as in life assholes. The hope of a better world but still there is false and we have this week at the cinema. Try to experience until it is only a few or wait for the next meatloaf that will tell you who knows how many truths about life. This will be the Speed \u200b\u200bRacer film that may seem like having to buy a Blu-ray (the excuse more bullshit). I make a fitting final to please stop "acting" Matthew Fox for the good of all.

Daniele Pellegrini

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Iron Man

USA 2008

DIRECTOR Jon Favreau

INTERPRETERS

Robert Downey Jr., Terrence Howard, Jeff Bridges, Shaun Toub, Gwyneth Paltrow

SCREENPLAY

Arthur Marcum, Matthew Hollaway, Mark Fergus, Hawk Ostby

Tony Stark is a billionaire and genius inventor, capricious and void, director of defense industries manufacturers and suppliers diarmo first for the U.S. government. During a test in the Middle East, to verify the effectiveness of an experimental weapon, is captured by a group of extremists. Wounded to the heart by a splinter is rescued and cured by Yinsen, a physician expert in cybernetics that apply an artificial organ. Forced by the guerrillas to build an invincible weapon for their cause, Tony designs a secret armor to escape the prison. Returning to the United States is determined to change their lives, to redress the injustice and defeat the lies of the powerful. Improved the armor with its advanced technology becomes Iron Man, a superhero by armor yellow and red.

Of cinecomix if they are made always plenty of them (think Mario Bava's Diabolik year 60) with excellent results in time (X 2 or less on all Burton's Batman) or bad (Fantastic 4, Ghost Raider, Spawn as beads incredible villainy). Iron man is not the tip apex of the genre, but its many cartridges that elevate it from the average of similar products. First, a skillful director who can never fall into demonic temptations of video clips, but instead can give vivacity, speed and adrenaline to the best scenes, those of action. Responsible actor / director John Favreau, who also wrote a delightful "Elf" with Will Ferrel great, and here at his first trial in testosterino kind of action. Then a great is part of the 'cast headed by a
manignifico Robert Downey Jr and a gigionesco
Jeff Bridges in the imagination as a possible candidate already Lex Luthor. Outline of a dull, but pretty Gwineth Paltrow in the role of red assistant Tony Stark / Iron Man, then follow the fashion of the kind of copper-colored dye the blond actress (Kristen Durst in Spiderman
it is the best example). The film follows the story of the comic rimordernizzando some parts of the story (Afghanistan instead of Vietnam) but did not rape no matter retention. The installation of the film is ironic, but there are scenes, like the initial one, where the tones are becoming increasingly gloomy and desperate. "Iron man "is a story of redemption, a man that made too much money a god on earth (for example the scene where he tries to go flying in space), but that death, war and despair simply human and make helpless. For this
billionaire Tony Stark creates an armored suit, not only to escape from a prison, but to resume her semi god, totally different from before this time: thanks to the metal he can return to his state of omnipotence, this time also physical, but with a different perspective. If you sell the first bomb was neither more nor less than a quick game to a game, now become the engine those same weapons to destroy the idea death and war. Death with death, war with war, Stark becomes the utopian dream of many Americans and Third World countries should be taken literally kick your ass dictators. The awareness of Stark is not so much on the beautiful punchline, but when he realizes the beauty of the secretary, as if now opening his eyes he could see what he accepted only in the first
surface. The last ten minutes, based on punches and phrases for effect, and are frankly terrible, even though they give the idea of \u200b\u200bcomic book movie, do a bit 'lower the threshold of credibility at all. But it is useless to complain because "Iron Man" is still a cinecomix failed:
exciting fun, fast. We are confident that the next chapters will, if possible, even better. Two excellent cameos

NB: Stan Lee, author of the original comic, the role of a
like Hugh Hefner (founder of the magazine "Playboy") and Samuel L.
Jackson as Nick Fury (do not go away after
credits).

Andrea Lanza

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MR 73 2008 French

DIRECTOR Olivier Marchal CAST



Daniel Auteuil, Olivia Bonamy, Catherine Marchal



SCREENPLAY Olivier Marchal

Some date back in style with the explosion of the French Polar World Marchal phenomenon. First there was Gangsters: intrecciatissimo noir where they already saw the interest in a methodical construction of the characters by Marchal. Then came the worldwide success of 36: the elegance that goes hand in hand with the narration for a film perfect. In all the two films we already felt a lack of confidence on the part of a director to the police, especially when Cerne fallible methods of body status, a factor that explodes in this Mr. 73. Marchal intends to new issues dear to him and exalts them until you get to a more comprehensive that drama in a very academic thriller. There's the protagonist, cynical detective destroyed by the tragedy that has turned its back to life (and not God in him, as he will be convinced of this), because of an accident that tore off his wife and daughter; is flanked by Justine, who had witnessed the killing of their parents and who now faces the release of the offender from prison. Marchal stages Buddy on a violator of the rules, where the comparison between them will be more bad than spectacular, in line with its vision of the police. In short, we existentialism thriller with a background, where the characters rather than asking "why", they wonder if it's worth it. But not everything seems to work. The elegance becomes self-satisfaction of the director and for many parts of the film seems to load speed and wanting to put all the tragedy does not strike down as it should. For the most part the film is pervaded by irrationality comics, which makes it hard to believe and illusion. Where the film does instead, is when you forget Marchal of its authorship and is forced to gender needs to tell us about the evolution of the thriller, which is more like regret that because of the circus costruitoci above. That said the film is not bad, nor is a failure. Marchal keeps turning well and to show that kicks us in the face we deserve them. Leviamoci But just to be pop-nihilists and really became interested in the stories. Needless to say, Daniel Auteuil, however, is a monster talent: there will be no 10 has actors around the world who have the same charisma. Mention for the sweet and talented Olivia Bonamy, who in his career had never been an actress from the first floor, but here is the most convincing, at least for what it shows: the only real character in a film loaded with a thousand.

Daniele Pellegrini