Sample Cover Page For Rfp

THE INCREDIBLE HULK

The Incredible Hulk

USA 2008

DIRECTOR

Louis Leterrier



CAST Edward Norton, Liv Tyler, Tim Roth, Tim Blake Nelson

SCREENPLAY

Zak Penn, Edward Norton

Was it really need another Hulk movie? Especially if you have any doubts arise spontaneously before the film could be considered successful, and if it was not so old as to justify both the restyled version of the character in cool is the omission of the number two in the title. But you know the purists had despised the character of the original directed by Ang Lee's previous film, sublime and unique way of conceiving the comics to the movies, and the idea risky, perhaps insane, to transform the Green Giant Stan Lee into an excuse to baste a Shakespearean tragedy of hate between father and son both hubris of sinners to God instead Everything becomes easier, with winks to the show (the opening words and eyes of green fluorescent Norton) and a lot more to sloppiness characters. If the director Leterrier (Transporter and Danny the dog) is great on an amazing plan (the rooftop chase is thrilling) then doing duty as a good shooter in disguise director, the script is something disastrous does come on the scene or characters and then forget them or abandon them without it (the beginning of Brazilian girl, but Mr. Blue), and degrades interesting situations such as the relationship between Betty and Banner / Hulk but also (mostly) military and Betty and her father, icing sublime, the dialogue gives us so demented beyond belief, especially in the long duel between the two giant monsters in the streets of the city. The use of computer graphics are solid and you do not then do so many steps ahead of the plasticky already Hulk by Ang Lee, the subject of derision for many viewers. To increase the lack of imagination of many situations then it is worth noting as the villain of the film, Abomination, and shockingly even plagiarized the final boss of "Resident Evil extiction. At times it is no longer even a movie, a video game that goes on in demented fury of punches and the underwater demolition. The actors do what they can from the more terrible and Liv Tyler imbolsita two-time great actors like Norton and Roth, but here the minimum wage. It only saves a great William Hurt fell perfectly in the role of the ruthless General Ross. Pop a bit 'more substantial of the "usual" Stan Lee, author of the comic, this time the victim of a drink mixed blood between guarana and gamma rays. As it was reasonable to expect a small role, but also tasty for the former Hulk Lou Ferrigno. Disappointing and no doubt a step back from "Iron Man."

Andrea Lanza

Sore Right Jaw Sore Tongue

Missed Call

One Missed Call

USA 2008

DIRECTOR

Eric Valette

INTERPRETERS

Edward Burns, Shannyn Sossamon, Ana Claudia Talancón, Ray Wise

SCREENPLAY

Andrew Klavan

Oi oi oi bad film but it is this: a (horrible) remake of a (good) film commercial director of the craziest in the world, Takashi Miike. How else to call a man who could turn works like "Ichi the Killer" and "Gozu", able to mix the visual noir thriller with delusions of LSD? It would have come out well in the new premises "The call" because it was revisited in a western movie miikiani not exist, then certainly more malleable material than the classic film, the most crazy, wild and anarchic. But the film fails miserably, however, and in the worst way. Eric Valette is primarily the reason of the disaster: French director, famous in the world of horror movie fan for an obscene film appreciated by most, "Malefique", here the test of 9 with a respectable budget demonstrates its lack of journeyman without inspiration. A need to put anything in claustrophobic environments mannequins from the features of corpses if you already did the first time with a different spirit Jaume Balagero or rely on a computer graphics so invasive in the second part as to diminish even the good things seen in the first section of the film. Yet at the beginning the idea was touched it was a good remake, able to bring in the West Eastern moods of ghosts as they did in the past with excellent results Takashi Shimizu with "The Grudge 2" and above all with his Verbinski " The ring ". The first part, contaminated by "Final Destination", with the original idea of \u200b\u200banimating the visions of the future victims of mobile phone and dead larvae, is also the best. Then everything falls into deja vu and if you have a model Miike can not help but fall his arms when the scenes are presented in so sloppy. To give an example please to the sequence of exorcism on TV as it is conceived in the original model and as it is "thrown away" in the remake. No need to place every two to three a crucifix to remind us that if we in the West then the soul of the film is a thousand uncertain limbo. The actors are a dog most of the other starting with the impersonator of Ben Affleck, Edward Burns, until the unfulfilled promise Sossamon, now subscribed to the horror of low alloy ("Catacombs" at all). Vallette tries to quote most disastrously in Silver moments culminating in a pathetic tribute to the final stage "Opera" and "Inferno." Of course without the appropriate music of Goblin or Emerson. If you really want to see "The call" look at the original in this meal to let some poor unfortunate who does not read "Cangaceiro" and our advice.

Andrea Lanza

Reset Number Lock In Suitcase 3 Numbers

INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL

Indiana Jones and the Kingdom of the Crystal Skull

USA 2008

DIRECTOR Steven Spielberg

INTERPRETERS

Harrison Ford, Shia LaBeouf, Cate Blanchett



Screenplay David Koepp, George Lucas, Jeff Nathanson

Finally, after many false starts, aborted projects with many different actors, the legendary Indiana Jones returns to the delight of young and old. Oh no that everything runs smoothly: Harrison Ford is parchment, directed by Spielberg colorless, ironic jokes that you want are actually pathetic, the kid who would take over the future of the series is good for furnaces of Auschwitz. If, however, avoids making the squeamish and understand that we are no longer a restaurant but a restaurant, you can also have fun. Moreover Indiana Jones is still Indiana Jones as the mother is always the mother, is a friend to whom you can not do without. Of course, Spielberg and Lucas could in ten years to even think of a better story than fiction fall into the pathetic end in itself. The film lives two souls: a farcical parody and a more genuinely childlike adventurous. This is the best part of this fourth chapter, when the compliments go to hell and enter into the action. If the first part is the most monotonous, the second based conquistadores mummified and crystal skulls, riding a jeep chase and greedy quicksand, is certainly the most lively. Among the most amusing scenes is the launch of a frightened snake Dr. Jones. Ranks in the varied list of a cruel villain Kate Blanchet raven-haired foil and deadly. Karen Allen is instead inexplicably the most fascinating mystery of the film because the weather has not changed one iota? It is hoped that the series ends here because it would be too sad and painful to see Harrison Ford get away from geriatrics with the pea in his hand by way of the whip. Overall it is a film that if not born with great expectations would certainly be fun. But as I said Indiana Jones Indiana Jones and talk about it is really bad is a crime. Although maybe he deserves it.

Andrea Lanza

What Will My Ringworm Look Like When It's Healing

GOMORRAH

Gomorrah

Italy 2008

DIRECTOR

Matteo Garrone

INTERPRETERS

Toni Servillo, Gianfelice Imparato, Maria Nazionale, Salvatore Cantalupo.

SCREENPLAY

Matteo Garrone, Nicholas Saviano

Gomorrah has talked so much thanks to the book by Nicholas Saviano. Di Matteo Garrone was rightly hailed the ability to penetrate the Italian reality, the most black, especially in his last two films. What is there to say that Italy needed a film that would put into play as the urban warfare that has raged in Naples. It was the egg of Columbus, many had thought, but surely there Gomorrah had the advantage of being able to realize, thanks to the media coverage of the film. The director had to be this: real, raw, hard-hitting, present only at certain times but those who absolutely airtight, the Camorra, the system, they do it from within. So a story to choral Amoresperros but much less film, absolutely no need for a spectacle that which is already perceived as spectacle: the war. And 'why no doubt the players are off the street at the heart of the film. Not because he can recite Cantalupo Servillo or a manner, nor for the other actors in the film. Why is the truth that speaks for itself that cries out for himself and transforms a seemingly small film into a giant with unstoppable force. Gomorrah leaves little talk saying, Gomorrah is a final product, emulation, but unique. And unstoppable.

Gianluigi Perrone

Small Rabbit Hutch Blueprint

IN BRUGES - THE CONSCIOUSNESS Assassin

In Bruges

USA 2008

DIRECTOR

Martin McDonagh

INTERPRETERS

Colin Farrell, Ralph Fiennes, Brendan Gleeson and Clémence Poésy

SCREENPLAY

Martin McDonagh

What is "In Bruges"? A noir, a post-post-Tarantino or Coen, postcard or maybe a movie for the beautiful Belgian town (which, after having seen the film no one can deny the will to go there one day). Maybe, just maybe, the classification is made for little minds open, and the director McDonagh (Oscar winner for short always Gleeson) is certainly not the kind of person he thinks to dock to a genre only. Use them in different situations, as if to rape the same rules of the genre. First of all there Bruges (or calls the protagonist: the fucking Bruges), enchanted place chosen by the boss (a devilish Ralph Fiennes) to exile / vacation of two killers after a job gone bad. Place where the characters come into contact with more types of strange city looking forward to the long-awaited orders of the boss. Bruges is a place purifier, but damn, that opens minds, but I want to clear the living. A right place to implement a massacre by Greek tragedy. A city with its "works" and its way of life becomes the mirror of history to tell. On the other side then there are the narratives that solution does not always seem to guess: the gimmicks are too many and some characters seem to function only because sooner or later will be used to embed some crucial moment of history, problems of a good script in the dialogues ( Laughter is serious) but little interested in building on a history that is standing. Nothing so serious because at the end of the day, even if forced, back and bottom of "In Bruges" is a film that thrives on the situation by passing a critical intellectualism end in itself typical of Europe in a humanitarian need comparison with other types of cultures (which is the cornerstone of the theme of travel). McDonagh around the short story, to say what they want and how they want it. Indeed absurd, to cite one example, that a film like this for gourmets spares no details to show "gore" as if it were the last of Turtured movie. "In Bruges" is the apotheosis of how you should not build a movie but it is also the film that we waited so long. If he gives us a trio of high-level interpretations, and at least two scenes to pass on the history of cinema can only make us happy.

Daniele Pellegrini

Square D Old Panel 320531

RESERVATION ROAD

Reservation Road

USA 2007

DIRECTOR

Terry George

INTERPRETERS

Joaquin Phoenix, Mark Ruffalo, Jennifer Connelly

SCREENPLAY

Terry George, John Burnham Schwartz

Ethan Learner ( Joaquin Phoenix) is a professor of a small American community. Happily married to Grace (Jennifer Connelly) and two children to change the perspective of life, when Dwight (Mark Ruffalo), a lawyer, invested his son, killing him on Reservation Road and then run away scared of the consequences. Drama, perhaps too much, this Reservation Road, the second by Terry George after the worldwide success of Hotel Rwanda. The plot immediately draws Iñárritu film Reservation Road, but for which little by that share, except for a certain taste in 'add strength to the characters. Instead, the film looks particularly at George Todd Field's film, especially the way we could enter the eye of the camera in the household: making us enjoy the drama with almost scientific method of mothers, fathers and sons. But is not George Field and his film remains on the surface. Of course it is not required to have the same narrative power of "In the Bedroom" but trying to come up with something that is beyond Elementary blend of Tragedy-Pain "was not a request so great. The story is not credible in its development fund and real characters rather than symbols of human weaknesses are mostly of the figurines with the tear ready. Even the subplot of clone of the "Death Wish", which could make it special, is able to complete because the director did not dare to sink. I mean to say that the film is almost a compliment deboluccio seems to tear a movie that excites, but does not think mostly can not even complete the final nell'inspiegabile (instead there is an explanation, but the division of pain for myself not is material to be analyzed, and the bottom is too easy to end it this way). There But something "good" in this Reservation Road: a critique of all the association for the protection of civil rights (in this case against the pirates of the road) to remove offenders from the family reality the victims themselves. I do not know if it is right to criticize, but at least there is something in the film that does not call directly to other films. The rest, unfortunately, is the usual old story of private emotions. Difficult even to mention the cast, everyone does their job, but it was hard to emerge from much flatness. Avoidable

Daniele Pellegrini

Soul Silver Rom For Mac Emu

21

Rise

USA 2008

DIRECTOR Robert Luketic

INTERPRETERS

Jim Sturgess, Kate Bosworth, Laurence Fishburne, Kevin Spacey, Aaron Yoo, Liza Lapira, Jacob Pitts, Josh Gad

SCREENPLAY

Allan Loeb and Peter Steinfeld

21 great victory binge "is a phrase that continues to echo in the mind of a young mathematician aspiring doctor. The feeling in the blackjack tables when the combination goes up, the more sucked in by the players, the 21 that allows the figures to win more dizzying. To bring is a professor who formed a real team masters of the game of chance, guys who used math to get rich at the gaming tables. The guy is a pure, but as always happens too much money to move away from the dreams golden as the coveted medical degree from Harvard. Then a bad day someone finds their way to cheat the casino and the trouble starts ... "21" is a simple film, more packaging than substance, a film that perhaps as many passionate, fun for its time, but then forget easily. At times it seems to see a movie came out straight from the 80, only instead of a vintage Tom Cruise have an unknown Jim Sturgess, a pretty face as it was, but completely anonymously. A little 'as directed by Robert Luketic, to his credit of famous (almost) only "Legally Blonde," which goes on to pussy to loud music, photography Cosmpolitan and little else. Better to go with the guest stars: Kevin Spacey and Laurence Fishburne are perfect in the roles of villain lorio antipodes. The script, although citations (one speaks of "Rain Man"), it has great shots of the wing and also held that it would be unexpected for the most part predictable. Kate Bosword version blonde (you know with dark hair as Lois Lane in the last Superman story) but it is by immediate ejaculation. One of the remarkable film. Nothing new under the sun calmly: You have been warned.
Andrea Lanza

Destanation Wedding Thank You Wording

Rise

Rise

USA 2007

DIRECTOR

Sebastian Gutierrez

INTERPRETERS

Lucy Liu, Michael Chiklis, Carla Gugino, James D'Arcy, Samaire Armstrong, Paul Cassell

SCREENPLAY

Sebastian Gutierrez

But this movie sucks! Ugly, but so bad that you can not believe, rambling, stupid, sometimes even by nonsense what is ill-conceived. Ok who has a beautiful photo, music, very apt, but the rest? This mess with no rhyme or try a thousand paths without a pick. And 'the festival of I, but I can not: I would be the "Kill Bill" horror film, but I just laugh, I would be the "Raven", but more like "Death Wish" with Frassica instead of Charles Bronson, I would be the definitive movie about vampires instead are a joke played on the pun Dracula. The scenes are so many top, add dall'inconsapevole love of crap: the maximum among all the reaches a prostitute at some point not to fuck off even underpants. In addition, the film is outrageously and dangerously moralistic: the vampire story, a kind of deviant moral code, it kills only the dregs of society that are then recorded a poor wanderer with a cough and a law student who smokes a joint. Crazy! Then the evil vampires are reduced to a paraplegic who is killed in three seconds, upset that a Chinese kung fu blows rebels and two ephebic rich guy. The vampire hunter then mysterious weapon that shoots darts without reloading, is hired by a mysterious sect that in a jiffy is soon forgotten dall'elaboratissima script and, last but not least, the vampires do not have the long canines. , but a kind of necklace Breil sharp as the sword of Beatrix Kiddon. The cast does not improve the situation: Lucy Liu is gorgeous, but as few monoespressiva and Michael Chiklis at the scene half an hour at most, a holiday bonus from "The Shield", it simply repeats the usual clichés already seen on TV. The director Sebastian Gutierrez is certainly not a great film nor a good writer as shown by mediocre works as "Snake on the plane" and "She creatures." If God dispenses his gifts as it does with the poor, artistic mediocrity Gutierrez should be engaged to Luciana Litizzetto and not with that beefy Carla Gugino. If we add that the film is produced Sam Raimi is the discomfort to the stars.

Andrea Lanza

Colors That Go With Red & Purple Flowers

IL DIVO

Il Divo

Italy 2008

DIRECTOR

Paolo Sorrentino

INTERPRETERS

Toni Servillo Carlo Buccirosso, Anna Bonaiuto, Flavio Bucci

SCREENPLAY

Paolo Sorrentino

Among the possible titles for the film that he wanted to make up Sorrentino Andreotti, always inspired by the many nicknames of the Italian Parliament, was that of Beelzebub . It would not be not bad considering that the character was a truccatissimo and impassive Toni Servillo has staged almost demonic features, although more limited grotesque irony of the author Naples. It appears that the visible reference in the film that ricondurrebbero to Nosferatu and Pinhead of Hellraiser are completely random, and Sorrentino's will was to be sealed to the reality show despite this many bizarre characteristics of the protagonist, but it is undeniable that the movements of Servillo / Andreotti have the disturbing. The film speaks especially of the seventh Andreotti government, and then the fall of an empire that lasted decades of Italian history. Technically impeccable, strong technical support from the Director Cinematographer Luca Bigazzi, directed a spectacle of events, often shown with a surprising iconography. Andreotti is haunted by a veiled remorse for the death of Moro and what his image means in respect of the Mafia trials. The ambivalence between a cold and calculating Andreotti and his hidden humanity becomes the true subject of the film. In a dreamlike Sorrentino imagine that Andreotti confessed that his actions are such as to maintain a status quo, a balance that keeps the evil by the State above all else. Here, the ambiguity between good and evil becomes the very essence of the character Andreotti, his conviction that moves through the divine will, which is guardian and servant. Moreover Divo comes from "divine".

Gianluigi Perrone

Dt101r Driver Windows 7

SPEED RACER IRON MAN

Speed \u200b\u200bRacer

USA 2008

DIRECTOR

Andy Wachowski and Larry Wachowski

INTERPRETERS

Emile Hirsch, Susan Sarandon, John Goodman, Christina Ricci, Matthew Fox, Moritz Bleibtreu and Rain

SCREENPLAY

Andy Wachowski and Larry Wachowski

's weird to go see a movie, have it pleasure from time to time just for the sake of Pro sound and then Pop find that the film is one of the biggest flop in movie history. There's like a curse that is common to the failure of the film lover niche. Because for better or for worse this Speed \u200b\u200bRacer is the best work of "brother" and "sister" Wachowski, but strangely also their biggest misjudgment. Yet it was a really stacks up for the pleasure of women and girls. An ultra kaleidoscope of different colors and shit devoted to the culture of the soul. But the return of great American cinema busy (well rewarded at the box office) there is no space for a blockbuster? Where are the myriads of pimply kids in a row with eight pounds of popcorn to see the latest marvel of American industry. And while on one hand the "people" has the subtlety to get to meditate also of the highest works, on the other we are not the crumbs of what once could call a quick redesign of our memory. Then you could say that Speed \u200b\u200bRacer is a movie for film buffs or edible film only for those who at the time of the TV Anime and acronyms lived with the heart and head. It reverses the world, but the opinion does not change: the Wachowski films is amazing. A caramel fruttatone Anime and family values \u200b\u200bthat can not wait to be home already. So let us leave aside for a good time at home packs of aspirin and do of evil. Migraine is a just punishment for having assisted for two hours at an atomic explosion of colors, lights and sounds before returning to live in what many seriously literary in common with a gray scale. We like? Maybe not, we prefer to imagine the film as in life assholes. The hope of a better world but still there is false and we have this week at the cinema. Try to experience until it is only a few or wait for the next meatloaf that will tell you who knows how many truths about life. This will be the Speed \u200b\u200bRacer film that may seem like having to buy a Blu-ray (the excuse more bullshit). I make a fitting final to please stop "acting" Matthew Fox for the good of all.

Daniele Pellegrini

‎milena Velba Clips

Iron Man

USA 2008

DIRECTOR Jon Favreau

INTERPRETERS

Robert Downey Jr., Terrence Howard, Jeff Bridges, Shaun Toub, Gwyneth Paltrow

SCREENPLAY

Arthur Marcum, Matthew Hollaway, Mark Fergus, Hawk Ostby

Tony Stark is a billionaire and genius inventor, capricious and void, director of defense industries manufacturers and suppliers diarmo first for the U.S. government. During a test in the Middle East, to verify the effectiveness of an experimental weapon, is captured by a group of extremists. Wounded to the heart by a splinter is rescued and cured by Yinsen, a physician expert in cybernetics that apply an artificial organ. Forced by the guerrillas to build an invincible weapon for their cause, Tony designs a secret armor to escape the prison. Returning to the United States is determined to change their lives, to redress the injustice and defeat the lies of the powerful. Improved the armor with its advanced technology becomes Iron Man, a superhero by armor yellow and red.

Of cinecomix if they are made always plenty of them (think Mario Bava's Diabolik year 60) with excellent results in time (X 2 or less on all Burton's Batman) or bad (Fantastic 4, Ghost Raider, Spawn as beads incredible villainy). Iron man is not the tip apex of the genre, but its many cartridges that elevate it from the average of similar products. First, a skillful director who can never fall into demonic temptations of video clips, but instead can give vivacity, speed and adrenaline to the best scenes, those of action. Responsible actor / director John Favreau, who also wrote a delightful "Elf" with Will Ferrel great, and here at his first trial in testosterino kind of action. Then a great is part of the 'cast headed by a
manignifico Robert Downey Jr and a gigionesco
Jeff Bridges in the imagination as a possible candidate already Lex Luthor. Outline of a dull, but pretty Gwineth Paltrow in the role of red assistant Tony Stark / Iron Man, then follow the fashion of the kind of copper-colored dye the blond actress (Kristen Durst in Spiderman
it is the best example). The film follows the story of the comic rimordernizzando some parts of the story (Afghanistan instead of Vietnam) but did not rape no matter retention. The installation of the film is ironic, but there are scenes, like the initial one, where the tones are becoming increasingly gloomy and desperate. "Iron man "is a story of redemption, a man that made too much money a god on earth (for example the scene where he tries to go flying in space), but that death, war and despair simply human and make helpless. For this
billionaire Tony Stark creates an armored suit, not only to escape from a prison, but to resume her semi god, totally different from before this time: thanks to the metal he can return to his state of omnipotence, this time also physical, but with a different perspective. If you sell the first bomb was neither more nor less than a quick game to a game, now become the engine those same weapons to destroy the idea death and war. Death with death, war with war, Stark becomes the utopian dream of many Americans and Third World countries should be taken literally kick your ass dictators. The awareness of Stark is not so much on the beautiful punchline, but when he realizes the beauty of the secretary, as if now opening his eyes he could see what he accepted only in the first
surface. The last ten minutes, based on punches and phrases for effect, and are frankly terrible, even though they give the idea of \u200b\u200bcomic book movie, do a bit 'lower the threshold of credibility at all. But it is useless to complain because "Iron Man" is still a cinecomix failed:
exciting fun, fast. We are confident that the next chapters will, if possible, even better. Two excellent cameos

NB: Stan Lee, author of the original comic, the role of a
like Hugh Hefner (founder of the magazine "Playboy") and Samuel L.
Jackson as Nick Fury (do not go away after
credits).

Andrea Lanza

Is It Safe To Get A Waxking 24 Hrs After Tanning

L 'My Blueberry Nights LAST MISSION

MR 73 2008 French

DIRECTOR Olivier Marchal CAST



Daniel Auteuil, Olivia Bonamy, Catherine Marchal



SCREENPLAY Olivier Marchal

Some date back in style with the explosion of the French Polar World Marchal phenomenon. First there was Gangsters: intrecciatissimo noir where they already saw the interest in a methodical construction of the characters by Marchal. Then came the worldwide success of 36: the elegance that goes hand in hand with the narration for a film perfect. In all the two films we already felt a lack of confidence on the part of a director to the police, especially when Cerne fallible methods of body status, a factor that explodes in this Mr. 73. Marchal intends to new issues dear to him and exalts them until you get to a more comprehensive that drama in a very academic thriller. There's the protagonist, cynical detective destroyed by the tragedy that has turned its back to life (and not God in him, as he will be convinced of this), because of an accident that tore off his wife and daughter; is flanked by Justine, who had witnessed the killing of their parents and who now faces the release of the offender from prison. Marchal stages Buddy on a violator of the rules, where the comparison between them will be more bad than spectacular, in line with its vision of the police. In short, we existentialism thriller with a background, where the characters rather than asking "why", they wonder if it's worth it. But not everything seems to work. The elegance becomes self-satisfaction of the director and for many parts of the film seems to load speed and wanting to put all the tragedy does not strike down as it should. For the most part the film is pervaded by irrationality comics, which makes it hard to believe and illusion. Where the film does instead, is when you forget Marchal of its authorship and is forced to gender needs to tell us about the evolution of the thriller, which is more like regret that because of the circus costruitoci above. That said the film is not bad, nor is a failure. Marchal keeps turning well and to show that kicks us in the face we deserve them. Leviamoci But just to be pop-nihilists and really became interested in the stories. Needless to say, Daniel Auteuil, however, is a monster talent: there will be no 10 has actors around the world who have the same charisma. Mention for the sweet and talented Olivia Bonamy, who in his career had never been an actress from the first floor, but here is the most convincing, at least for what it shows: the only real character in a film loaded with a thousand.

Daniele Pellegrini

Polka Dot First Birthday Plates And Napkins

My Blueberry Nights

Hong Kong / China / France 2007

DIRECTOR

Kar Wai Wong

INTERPRETERS

Jude Law, Norah Jones, David Strathairn and Rachel Weisz

SCREENPLAY

Kar Wai Wong and Lawrence Block

"My Blueberry Nights" (bad title Italian for "My Blueberry Night") is a film by Wong Kar Wai. It is clear from the dialogue, voice over, almost violent comic-book colors, from the fact that people love each other almost without touching, slow sped up by those who have brought fame to the director of "Lost Angels". But "My Blueberry Nights" is also a film that wants to export the personal style of Wong Kar Wai in the West and does not have the courage to dare as perhaps had been a disappointing "2046." The story is always the same and a sense of deja vu is high when in another place is revived with the necessary variations to the second story of "Hong Kong Express". Except that there are no Chinese players, but far more enjoyable Jude Law and Norah Jones, but the director is able to make us interested in the story thanks to his famous dialogues in his eye and the inner film is never banal. So the first 50 minutes faster flee, every fan of the director will be exalted in the vision of a story as orchestrated masterpieces past Paul Auster in touch with the script, but then the disaster happens. It is because "My Blueberry Nights" becomes a meeting with Nathalie Portman obsessed with a video game expanded, a hymn surface aesthetics of beautiful images, like a porno without sex by Michael Ninn. Here's the story loses interest and forget about to get a likeness of Maggie Cheung by Raquel Weltz or another cop in love with anything like so many protagonists wongkarwaiani. The movie becomes a deadly tedium, irritating, snobbish, a vacuum to make a pathetic attempt to celebrate even a poetry with a certain weariness of interesting ideas. Too bad because the cast (except Portman) is perfect and after reading so many bad and foolish criticism of the film. We give three bullets anyway because it is a film that knows how to excite and offers a hybrid of the most interesting works of the period, but it is certain that by Wong Kar Wai film is expected to noiosetto discreet and not a simple task. The question, however, that if he was played by Tony Leng and Faye would not have had so many negative reviews, in fact, is very high. Racism in reverse?

Andrea Lanza

Nzos_handshake 28862 Unix

DO NOT THINK

not Think

Italy 2008

DIRECTOR

Gianni Zanasi

INTERPRETERS

Valerio Mastandrea, Anita Caprioli and Giuseppe Battiston

SCREENPLAY

Gianni Zanasi and Michele Pellegrini

Stefano Cardini (Valerio Mastandrea) moved to Rome with big dreams of breaking into the music but finished as a guitarist in a small punk band, returns home to his family in Emilia. Waiting for him there are two parents, his sister, who has left school and worked at the water park, and his brother, owner of the family company, now bankrupt, cherries in syrup. Do not think the title refers to the warning made to the players who are asked to "not thinking about problems because with time things will settle themselves. " Utopian theory or at least superficial ditching a film that, more unique than rare in Italy, is well written and well acted. Gianni Zanasi is not a phenomenon, nor has significant stylistic leaps, but it is clever and smart. He knows that to tell the neuroses Italians do not need some kind soul thrillerone (cited). Lightness is the only human knowledge. Encumber the film is like serving coffee and peppers for breakfast, needless to say, which will remain in the stomach. If you use this theorem (the end is the same as all fall down and speed are known to be two of the best Italian films in this gray period) are unlikely to be wrong film. Even if morality is not the most amazing and the story has not developed and the film will still laugh. Millions of people with a smile on his face unconscious in knowing that the full significance of not thinking is not very different from Ozpetek or his representative. If we are right, if the "tick" Italians are seriously, if there really is a class above can judge it is not known. The trust / mistrust among the people is not a matter of debate. Better to laugh, go!

Daniele Pellegrini

électric Box Solution Iphone

Oxford Murders - A THEOREM OF CRIME

Oxford Murders

Spain / France 2008

DIRECTOR

Alex De La Iglesia

INTERPRETERS

Elijah Wood, John Hurt, Leonor Waitling, Julie Cox

SCREENPLAY

Alex De La Iglesia, Jorge Guerricaechevarría, Guillermo Martínez

who is not accustomed to the films of De la Iglesia might think, looking at Oxford Murders, the film is a mad megalomaniac. Who knows in its production is assured. Oxford Murders has two records for Alex De La Iglesia, linked to each other. Except Perdita Durango, which more than a film is an otherworldly experience, this is the first work to breath International Trade (mixed production, international actors, locations, UK) and the first very bad film of his career. Or at least if we consider bad oestrus grotesque that you breathed in his earlier works, even in the warm as 800 Balas, where irony and cynicism were the director of the Iberian soft one of the most open in Europe. The film pursues the desire of the director of classicism, which in recent favorite films had a structure inspired by the old retro yellow. What makes this film definitely attributable to the footprint of Iglesia De La Soul was their irreverent, delirious. This ends the last work, the very soul of English, a sort of classic Cluedo in which the characters move in an intricate to resolve the issue. Very likely this is a hustler of the director, have also opened the doors to Hollywood. Not that the lack of interesting ideas in the film but what you miss is precisely the kind of personality and a clock off too easily carried away.

Gianluigi Perrone

Where Do Get Brazilian Waxing In India?

GONE, BABY, GONE

Gone, Baby, Gone

USA 2008

DIRECTOR

Ben Affleck

INTERPRETERS

Casey Affleck, Amy Ryan, Michelle Monhagan, Ed Harris and Morgan Freeman

SCREENPLAY

Ben Affleck, Aaron Stockard

E 'of the film "Who would have thought." So we say it. Despite all the jokes about the qualities of Ben Affleck as an actor, it must be admitted that the boy has other considerable talents as a producer (Feast is his work) and also as director apparently. The team that orchestra in Gone, Baby, Gone has really made the center, without a shot being fired. This is because his first short, I Killed My Lesbian Wife, Hung Her on a Meat Hook, and Now I Have a Three-Picture Deal at Disney, was an ingenious but immature, as well as the other two films he directed and which will never see. Today, Ben knows the choices and weigh up to Gone, Baby, Gone is truly apt. We are from parts of the neo-noir drama, of what people like Clint Eastwood or Sean Penn, the writer is not for nothing is the same as Mystic River. the story of a young girl's disappearance and that the search along with the detective police force. The dark house of Dennis Lehane, is a novel linear, where the elements are all in place, because this story is not without its moments of deja vu but if you have the patience to look at the whole picture we are faced with a ' work may have some moral issue. It 's a journey narrative apparently uncertain, almost jerky, to Gone, Baby, Gone, alternating periods of tension in human thinking. This film is about how there are things that sometimes are made, going against the ethics, the common thought. It 's a journey back in morale, which leads to be progressive so that they can learn to choose the road less progressive. Realize that sometimes the solution is precisely the wrong one. Because it's a wrong world. Great test of actors, all Casey Affleck confirms his talent but there are Amy Ryan, Michelle Monhagan, Ed Harris and Morgan Freeman. We advise you to discover why the film was released in England only after seeing him.

Gianluigi Perrone

Cubefield Play At School

10,000 BC

USA 2008

DIRECTOR Roland Emmerich

INTERPRETERS

Camilla Belle, Cliff Curtis, Tim Barlow, Suri van Sornsen, Marco Khan, Reece Ritchie, Mo Zinal, Omar Sharif, Steven Strait

SCREENPLAY

Roland Emmerich

I know that most of the audience (but not only) say Roland Emmerich is synonymous with poor quality for film, but who writes the German has never disappointed since the days of his first deafness Hollywood with "Soldier." His movies, especially in view of ultra-modern rooms equipped with an avant-garde audio department, is so superficial, fracassone (with the exception of "The Patriot"), but also tremendous fun. I think science fiction by Peter Colosimo's "Stargate" to the punch in the face of the alien Will Smith ("Welcome to America") in Independence Day, the Japanese Godzilla hurls its fury against American capitalism, the wolves Day after Tomorrow. So As I prepare to see 10,000 BC I started with the brightest hopes, but as I have been a disaster even more devastating. The film was presented on wikipedia thus: "In 2007, Two other films, 10,000 BC, in pre-production, based on a screenplay by Emmerich and Harald Kloser same. The film will tell through the eyes of a mammoth hunter who led the real-life 10,000 years before the birth of Christ. The film seems to include in its cast actors for the most part semi-unknown: Camilla Belle, Marco Khan and Steven Strait. " If the intent of Emmerich was the realism, the film is not about the target, gorged by force by special effects that continue to remind the absurd cold perfection of the game. Scenes like the hunting of bison or the attachment of ostrich meat eaters, or saving with saber-toothed tiger are Most scenarios to play in the solitude of an X box 360 or a PS3, just absolutely captivating if experienced by spectators and without the opportunity to interact. The story then it is quite disastrous with this odyssey of a prehistoric hunter to save her from the clutches of a pretty wicked Pharaoh. Does not involve the background of a past too superficial to be true, a primitive people so similar to the American Indians, a cast from the show on Saturday afternoon. Not a single drop of blood is placed in furious battles apparently, there is also pathos when characters die, if anything, the film is the bearer of involuntary laughter when they come into the scene from two bad features of a similar Toto Sheikh and a furious Alessandro Haber. The absurd plot points for the great experiment margheritiano "The World of Yor", but lacks the imagination and skill of the great Italian. 10000 Ac wasting too brilliant idea of \u200b\u200bfriendship between the hero and a ruthless tiger bound prehistoric animal in a cameo pretty useless: tamarro there would be more fun if the protagonist had massacred the bad guys on either side of his big cat maybe Zannato to the beat of heavy metal music. Emmerich Snyder would like to be in 300, but can only be the mere executor of one of the most disastrous film of the new millennium with the idea of \u200b\u200bsuicide to be serious when it calls a fierce tribe the enemy "Cula" boats or "big birds". It would be better if the German is detox or stop getting drunk on the set because this film is not just missing his touch, amateurish film is unworthy of being added to his filmography. Do not hesitate to forget soon.

Andrea Lanza

Slimming Cream On The Face?

10,000 BC Vantage Point

Vantage Point

USA 2008

DIRECTOR

Pete Travis

INTERPRETERS

Dennis Quaid , Matthew Fox, Forest Whitaker, Sigourney Weaver

SCREENPLAY

Barry Levy

Many dance surely will pull in the model "Rashomon" of Kurusawa to talk about this "Vantage Point", but it seems to me that there is nothing further. The film was Japanese dish on many facets of truth, a story that changed, depending on who tells the story, not just points of view, but precisely the crux of the story. "Rashomon" is the inspiration of "Outrage", a western Martin Ritt, of "How many times that night by Mario Bava's" Courage Under Fire "by Zwick and a flood episodes of TV series, cartoons and comics. But "Vantage Point" is the son of "Run Lola Run" by Tom Tykwer with the idea of \u200b\u200ba time that comes back every time and again at the beginning of history, not change them fully here, with major plot twists. "Vantage Point" revolves around the assassination of U.S. president in Spain and 8 different points of view, who attended the scene, at least until mid-film because in the end everything becomes much more linear perspective by bringing together the important one. The film is nothing of that, but it is well shot and gives high spectacular moments. A little '24, a little' Friedkin particular pursuits, nothing original sure, but what he says he says it well. The film lacks in the script above that forgets the streets of the characters, others reduced to caricatures (Sigourney Weaver) and can not do at all excited about micro plot as it does with the main one. The cast found a gigantic Dennis Quaid that you eat for breakfast the next generation as embalmed and expressionless Matthew Fox of Lost. For the rest of the cast does not do much playing for the loaf without the big surges actorial we would have expected from, for example, a good elsewhere Forrest Whitaker. Directed by Pete Travis is good and has a particularly fast-paced tracking shot in a state of grace through the streets of a city English. It could be a great action thriller, but the obvious defects of neglect narrative not lift him up from a pleasant homework, but known.

Andrea Lanza

Dropping Belly During Pregnancy

JUMPER

Jumper

USA 2008

DIRECTOR

Doug Liman

INTERPRETERS

Hayden Christensen Jamie Bell, Samuel L. Jackson, Rachel Bilson, Diane Lane, Tom Hulce, Michael Rooker

SCREENPLAY

David S. Goyer and Jim Uhls

Because if there is a fast food there can be no fast film? Film is so essential and free content that once you leave the cinema not leave anything. Jumper would definitely be a part of this category. The film directed by Doug Liman (who was always fracassone, but one time he could be too cool) and written by David S. Goyer is the mirror of what the film is being reduced to the exasperation of the plot that are filed for the needs of the moment. The need is to jumper to entertain in the shortest possible time, the rest is nothing: did you like? Maybe you also want some explanation? (You never know these days) Wait a second. And 'if we speak of a trilogy reason is: Jumper is basically a trailer to what we see in the second film. The holes are really too screenwriting volunteers for a cinema commercial surf at will in the canons laid down by the average spectator charmed by fast fun TV-style. But this is not cinema. A film can not be treated as a plot of a series or a first of a variety. There is the humiliation of knowing that the viewer / guinea pig is the "arduous" task is to assimilate the Concettino that there are those able to jumper telestrasportarsi anywhere in perpetual conflict with the Paladins, a secret society that works with the tones of the great inquisition. In fact the main theme of film seems to re-read science fiction of the witch hunt with these Jumper (live from dishonest advantage of their capabilities for the series .. we are not heroes but good), replacing the dear and old witches. Pity then that everything stays on the surface waiting to fill the holes in another time (a guy named JJ wallows there). However, without tears and without praise the movie you just enjoy the good action inserts: or at least is where the film shows more character and above all it is able at least to complete. But it remains just that: if you then okay ... it's all right. You will enjoy Jumper 2, but I would fold.

Daniele Pellegrini

Grapefruit With Cloversyl

NOT' ONE COUNTRY FOR OLD MEN

No Country for Old Men

USA 2008

DIRECTOR Joel & Ethan Coen

INTERPRETERS

Javier Bardem, Josh Brolin Tommy Lee Jones, Woody Harrelson



SCREENPLAY Joel & Ethan Coen, Cormac McCarthy has created an expectation

worthy of the great works and the new Coen, let us now, the best after so many shots not really well seated. The brothers, however, have now the experience and status to know that just look behind to pull off something good. Here, therefore, that based on the novel by Cormac McCarthy exploit the genre to create something dark and pessimistic, a noir western that wins, if only for the staging. The story is stark and simple, it seems Bring Me the Head of Alfredo Garcia, desperately out of place with who wins the lottery more risky in this world, steals the crime and seeks a way out of dough with the back people who wants it too hard the stolen goods. With Peckinpah, the Coens also share a vision of gray and hopeless, which is in front of terrified all'amoralità existence and the human species. Excellent performers in perfectly distributed characters that make this bitter reality each one in his own way. Tommy Lee Jones as Sheriff elderly spectator event that recognizes atrocious abomination until the state that the land has always shot well and it is he who has the deep pockets. Josh Brolin, the 'Alfredo Garcia "of the situation, trying to disappear with the loot without understanding that the deer do not ever steal the prey to the lion. The character that this film will be remembered, however, is Chigurh, a spectral Javier Bardem, who is the dark evil of the world, a killer of modern cinema's most fascinating, coldly killing, apparently with a moral dignity, but that does not only divert chance of salvation, the concept of unexpected pervading sense the film. The Coen univesale tell a story in an intelligent, violent but stylish, with a taste in the southern areas and in the names that gives the pleasure of the most professional productions of Hollywood. A film that could not be wrong.

Gianluigi Perrone

M 8215 Drives De Audio

FINE PENA MAI

Fine Pena Mai - Paradise Lost

Italy / France 2008

DIRECTOR

David Barletta - Lorenzo Conte

INTERPRETERS

Claudio Santamaria, Valentina Cervi, Danilo De Summa, Giuseppe Ciciriello

SCREENPLAY

Massimiliano Di Mino, Pier Paolo Di Mino, Marco Saura

The story of Anthony Perrone (which is not my relative) is that many criminals in southern Italy, that hunger for life and money, they finished to self-destruct. When, after the attacks of Falcone and Borsellino, the state has applied the 41a for criminals, Mafia Perrone, who had arrived at the top of the Sacra Corona Unita, has seen flapping in total isolation for life. Since they had thrown away the key, he began to write his biography, Life of interior that has become the film documentary of David Barletta and Lorenzo Conte. It 's the same voiceover Perrone tells the story of his criminal. Unfortunately, it feels a bit 'too much experience documentary, narrated the events of the film are cold and not have a real emotional transport. There are a number of facts made one after the other without having a concrete weight in the scenes. All this makes clear the heavy narration of what is a noir, and then pretends rhythm and action. Yet the film is flawless, has an excellent soundtrack, well photographed and filmed, has in interpreting characters (Valentina Cervi and Claudio Santamaria), the real strength of the film, so that the dialect of Santamaria is much more credible than some overacting naive interpreters really Puglia. Besides the film does not dare to violence and sex and at first you may think that it charges for production, but when you see a front of a nude Santamaria, one wonders why not make a bit 'of salt to a story that required it. In the end everything is too anonymous and like many other reality, there is a real transfiguration of what they really are the criminals of that period and substantially Puglia you can not tell a story. Too bad really because the film had considerable potential. The two directors are now going to make a documentary on the case as seen from the viewpoint of the wife character in the film is greatly sacrificed.

Gianluigi Perrone

Moab Weather, Early April

The Diving Bell and THE BUTTERFLY FOR CHARLIE WILSON'S WAR

The Diving Bell and the Butterfly

France 2007

DIRECTOR Julian Schnabel

INTERPRETERS

Mathieu Amalric, Emmanuelle Seigner, Marie-Josée Croze, Anne Consigny, Patrick Chesnais, Niels Arestrup, Olatz Lopez Garmendia, Jean-Pierre Cassel

SCREENPLAY

Jean-Dominique Bauby, Ronald Harwood

The Diving Bell and the Butterfly is one of those titles usually creates curiosity in the time it leaves the anonymity or semi-anonymity of the independent comes to be compared to big-name star systen with nominations and awards left and right. And 'natural that something good must necessarily be. In fact, the story of Jean Dominique Bauby's autobiographical novel is the classic pigeon's egg if it were not true. The man, a former managing editor of one of the best selling fashion magazines in France, suffered a stroke trying to overcome depression by writing, or rather dictating the book with the only way they can communicate, or banging his left eye. Daniel Day Lewis had the foot and Jean Gd only his eye. Unlike the film by Julian Schnabel here looking for a point of view, less dramatic and more significantly for human situation. Of course, the protagonist's situation is extremely tough but the strength of man is to succeed, however, even in desperation, to take it with humor and not to indulge himself. Jean Do, a person tendenzialmentre surface neither more nor less than anyone else, is really beginning to understand the meaning of life and weight to their existence. It may seem trivial, and indeed it is. The film is incredibly naive and banal, but somehow very pure, sincere, universal. Being able to rip the laughter in a dramatic situation is definitely a tendency for the film, as is done to reflect on the value of life. Schnabel directs in the only way possible, or in soggetttiva of the protagonist, and through his imagination. It is not, in all sincerity, that masterpiece which is spoken but it is a film that at least once in their life to be seen to cleanse his soul. Not cheap.

Gianluigi Perrone

Missing Bottom Molars

Charlie Wilson's War

USA 2007

DIRECTOR

Mike Nichols

INTERPRETERS

Tom Hanks, Amy Adams, Julia Roberts, Philip Seymour Hoffman, Emily Blunt and Rachel Nichols

SCREENPLAY

Aaron Sorkin

"We were glorious and changed the world ... and then we sent to become the ultimate tease." This is the final part of the film that establishes a mocking truth. "We have sold weapons and trained them there they knocked down the Twin Towers, but how is that possible? "The following is the most common question among Americans since 2001." The reason is explained in this latest film by Mike Nichols. The story of Charlie Wilson, Republican of Texas, who in the '80s has managed to provide funds to $ 1 billion to arm the mujahideen of 'Afghanistan against the common enemy Russia. If at first glance the story seems to bring a modern political films (Syriana for example) the staging (which looks more like a play) is a comic farce with a taste for sarcastic mock power in any part the world does business. Ideologically speaking Nichols's film resembles the works of Joe Dante, like the American Civil War. The main theme is the same, the unawareness of the political light and frivolous to make history. Any small gesture has tremendous impact in the future (The beat of butterfly contemporary). It is here that the film Nichols is essential to understand the present day. A monument to politically correct the lack of diplomatic and political values \u200b\u200bof our age. The historical factor, however, the film serves as the setting for more jokes and put in place against jokes that turn out to be the best thing about the film. The dialectical clashes between the various characters are very well written and amazingly acted with exquisite taste and reasoned ad hoc. Dialogues built a fast pace that disorient the viewer and the normal light that is in search of the real movie out of the film season (dialogue between Hanks and Hoffman are superb). But there's little wonder: Nichols is a master at this. Instead, what does turn up their nose is the large amount of pain displayed. A sinister use of his legs and arms cut off not benefit the purpose of the film. It seems that the film attempts several times to preach good and bad scratching. A few words to spend on the second part too fast and didactic: the impression is that they rush to finish the film even if it lasts more or less an hour and a half. Difficult to understand this move. However, if just one fails to make trouble out of his chair to go see Charlie Wilson this, please know that we can comfort with Amy Adams and his hair dangling like the mane of a horse and under nymphets hens but still visions. Special mention to the dance of the ultra-sexy Emily Blunt, pity that Nichols was more interested in making us feel what the characters were saying that you forget that the poor Blunt. Some Sometimes it's better to shut up!

Daniele Pellegrini

Cool Mathgames Cube Field

JOHN RAMBO

Rambo

USA 2008

DIRECTOR

Silvester Stallone

INTERPRETERS

Sylvester Stallone, Julie Benz, Paul Schulze, Matthew Marsden

SCREENPLAY

Silvester Stallone, Art Monterastelli

What makes the success of Rocky and Rambo result so unexpected? Surely the fact that they are designed specifically for fans. That these films are made with the heart or head, of course you feel the sincere intention to respect the desire of the viewer. As for Rambo, it's no secret that fans of the series is generally a warmonger or at least someone willing to explosion, murder victims and firepower. John Rambo is this, a very thin script that tells the story of the former soldier who lives in Thailand and ferries of Doctors Without Borders in Burma, in the midst of war. These are captured by the guerrillas and a task force is sent to retrieve them. Rambo of course will do its part. 80% of the film is a disaster. Incoming shots ever seen, a brutality that is very rare for a commercial film, with endless amounts of blood. It 's definitely the episode more exploitation of the series, with acts of violence you would expect from a torture porn, but there's more. First you decide to talk about a war not cleared by the media. Incredible atrocities occurring in Burma, but since the United Nations have no financial interest in this regard, it remains outside the public interest. Putting light on the situation in Burma so truthful manner may serve to stir the conscience. Besides the point of view on the war is anything but politically correct. It 's a sincere relationship and not at all hypocritical about the situation. Doctors Without Borders have the illusion of being able to deal with the war only by peaceful means but they face the merciless guerrillas of the bush that is most abhorrent actions. In the eyes of the viewer soldiers, Rambo is the conscientious soldier or mercenary, a category are forced to face the horror day after day, losing all hope. Characters cut with the machete but merely highlights the message of the film. For all other entertainment is pure hydrogen.

Gianluigi Perrone

How Not To Get An Erection At The Beach

REC

REC

Spain 2007

DIRECTOR

Jaume Balaguer, Paco Plaza

INTERPRETERS

Manuel Velasco, Ferran Terraza, Gil Vicente

SCREENPLAY

Jaume Balaguer, Paco Plaza, Luis A. Berdejo

talk of REC is not easy if you want to make a thorough analysis. Not because it is full of nuances and double meanings hidden somewhere, but because in addition to the images given to us, primary hyper linked to a plot, there is no other.
can be summed up in two lines say it all: a building in Barcelona where an epidemic zombesca begins to infect the inhabitants. TV journalists, residents, firefighters and police officers there are on hold for quarantine reasons. The camera is always on in a "rec", indeed. Following
style reality show that led to the glories minimalist works like Blair Witch Project, the commission Filmax (I bet) to Jaume Balaguer and Paco Plaza this movie trying to beat the hot iron (?) Of this particular style inaugurated by our first and foremost Cannibal Holocaust Ruggero Deodato signed.
costs are reduced because of the minimal location, the room is always at hand and the sound in real time. For those who suffer from seasickness as the film is to be avoided for those with coronary artery disease, since the Rec is awesome work, essentially empty, as it is with regard to originality, but sticks to the chair from start to finish. Being such a reality, we live according to the film and see through the eye of the camera in real time so no adjustments to the sound that explodes suddenly saturating the audio channel. Although the images often become blurred, the camera will also fall to the ground, but Angela, a young journalist played by Manuela Velasco, still want to scoop that would make it famous and before the madness of the events in which it does not think involucrata minimally to the quality of the shooting, but only that as far as possible be registered. If some obvious tribute to Blair Which Project can not escape the feeling deja vu with the remake of Dawn Of The Dead by Zack Snyder are all too obvious, almost too much in the eyes of an observer. Rec
for this product is not to trash, rather, keeps its promises, that scare and nothing more. The level of tension rises in an escalation of structure similar to that of a video game to the "level" at the end ..

David Casale